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I promised @samhainsam that I would write up my thoughts about how the story told on the tv adaptation of Wheel of Time relates to the book series. In my typical fashion, it's been several months since that pledge.
First off, I haven't finished the book series and I haven't read the prequel. I am about a dozen books in though, so I've gotten a pretty good feel for this world.

Is it just more woke cultural vandalism?

This is the place to start because it's become the norm for tv adaptations of late. Shoutout to Dave Cullen for the excellent term "cultural vandalism" to describe things like new trek that go out of their way to pervert established canon in order to serve their ideological agenda.
First, I don't think they would have kept the hero as a straight white guy if the writers were trying to push some lefty agenda. The casting was mostly faithful to the physical character descriptions and they didn't make the white characters particularly more flawed or the non-white characters particularly less so than they're described in the books. The relative importance of everyone is handled pretty consistently as well, allowing for time constraints and such.
However, the books explicitly state that The Dragon (who will both save the world and break it) must be a man, while the show explicitly states that it could be either a man or a woman. This is probably the first big red flag for book fans. It definitely feels like an attempt to level the playing field and erase any sex differences.
The show also massively elevates the power of one of the female Forsaken (making her character much less interesting in the process, btw). The books are pretty clear about the male Forsaken having more raw power, while not necessarily being more formidable.
The most annoying changes to me, though, were making a couple of explicitly straight main characters gay or bi. That seemed entirely gratuitous and cheap. There are such characters in the books and others where it's not explicitly described, so why the need to jam it in where it didn't belong?

The in-world explanation

It's certainly true that The Wheel of Time show is more woke and gay than the books. That's inarguable, but I think there's a reasonable in-world explanation for this version of the story.
Myth and legend are massively important in this universe. Every book opens with a version of this statement:
The Wheel of Time turns and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again.
It's made clear that the events we're reading about are from an age that is both in the distant future and the forgotten past from the POV that they want us to enter as the reader. I believe that's the key to a charitable interpretation of what the show is (and what the books are).
Storytelling, and how versions differ in dramatic ways, are also recurring elements of the books. We're frequently informed that the accounts people know from history or legend bear little resemblance to what actually transpired.
I believe the tv show should be considered a telling of the story from either a different age or at least from a storyteller who was much less well acquainted with the events as they happened.
Even some of the big differences, like who The Dragon could be or how The Power works, make sense in this context. We're told that most people in this world have very limited knowledge of such things, including the gleeman and bards who popularize and propagate the tales.
The personal relationships would be similarly unknown. They may know who spent time in whose company, and rumors may have led some to believe relationships were more intimate than they were, especially if it were a little scandalous. Or, they may have simply been embellishments for the sake of entertaining an audience.

Wrap it up already

My sense is that the show was made by people who genuinely loved the books but who also had very different cultural sensibilities from Robert Jordan. Those differences are evident, as is the attempt to tell the same basic story.
In that way, it's unlike most new Star Trek or Lord of the Rings products, which seem to go out of their way to undermine the original works.
If you imagine the show being a rendition of famous events from someone who doesn't have all the information but loves the story, I think it holds up and is worth a watch. Just don't substitute it for the books, which are so much better.
I've read the books and watched the two seasons on Amazon. It was clear that the show's production was definitely looking for a portfolio of people, and it was quite the departure from the age-old Hollywood practice that all the primary actors are white with British accents. I think, in some respects, if you really apply geographic practices of an agrarian society model, the only mixing you would see of different people would be in big cities, not small country villages where locals barely travel and visitors are far and none. That's where stories like these tend to get all waffled.
Everyone wants to call that woke because it's politically fashionable now; I personally see it as studios trying their rookie hand at being more diverse but forgetting to stay true to the story they are telling. Good fiction takes a lot of work, and heavy dedication to small details. Studios are in too much of a hurry to push a film out and get paid.
For example, it would make sense for the Amyrlin Seat/tower location to be as mixed as Paris or New York, but it didn't make any sense in Perrin's village. Aside from that, the story line did follow somewhat to the books. I remember getting quite confused by the third book as to what the hell was going on. The show did help provide some clarity there.
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I think you're right about the relationship between geography and demography, but the character descriptions in the book are consistent with the casting. Egwene and Nynaeve have darker complexions than the boys.
It's not clear how that would be maintained in a small insular community like the Two Rivers, although neither Rand nor Nynaeve were born there. Also, the people of that region are descendants of a great cosmopolitan nation that fell hundreds of years earlier, so maybe they started with a very high degree of genetic diversity.
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I think the creators of these projects could avoid a lot of grief if they picked one modernization philosophy, advertised it, and stuck with it.
For example, if they announced "We are updating this for a modern audience and don't intend to stay particularly true to the original", or "We want to create as faithful of an adaption of the originals as possible".
Then people know what to expect going in. The way things are, I think they try to straddle too many competing priorities and it just kinda doesn't make anyone happy.
That being said, I am firmly on the side of "stay true to the originals". If people wanted a story more tailored to modern audiences they should just write one.
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they try to straddle too many competing priorities and it just kinda doesn't make anyone happy
Great point
One of the oddest creative choices was making the main characters older and promiscuous. Of course, sex sells, but they never show anything particularly titillating, so they ended up alienating purist fans without getting the payoff for doing so.
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69 sats \ 1 reply \ @grayruby 6 Dec
I feel like I started watching this series with my wife a few years ago and got a couple episodes in and then never continued. She thought we had already seen if but I think she was confusing it with another series. Maybe she had watched it on her own because I had definitely not seen it.
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My wife likes the series enough on its own but I was losing interest until I started the books
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Haha I was rubbing my hands when I started reading your post. I’d been thinking about the TV adaptation the other day too!
The series wasn’t terrible, but it wasn’t great either. It felt like the creators wanted to sprint before learning to walk. Their intentions seemed genuine (you can tell they cared about the source material) but somewhere along the way, the execution fell short.
One thing that really bothered me was how they handled sexuality. In the books, there’s sensuality, tension, but it’s subtle. It creates tension and depth without taking over the story. In the show, though, it felt like sex scenes were added just for the sake of it. It didn’t drive the plot or reveal character; it just… happened. That shift made the world feel less mysterious and more like generic fantasy TV.
The “woke” elements don’t bother me much as long as they serve the story, but it’s frustrating when they stray too far from the original spirit. It starts to feel more like a shadow of the books than a true retelling.
🐺 Characters like Perrin (love him!) suffered a lot from this: book Perrin is layered and full of quiet strength, while the show version lost that introspection. And don’t even get me started on Lanfear… she’s magnificent on the page! But in the series they watered her down completely. 🥲
Still, I agree with your broader point, unlike some other modern adaptations, this one doesn’t feel made out of contempt for the source. You can sense that the team loved the world, even if their modern sensibilities clashed a bit with Jordan’s tone. I like your take about it being a myth retold from a later Age, a flawed retelling but still deeply connected to the Pattern. That idea actually makes me appreciate the show a bit more.
Can’t wait to keep reading the series, every book opens with that legendary line and instantly sets me in the right mood. There’s nothing quite like it!
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Sprinting before walking is a good way to describe the tonal problems.
All the journeys are condensed. The relationships are condensed. The character arcs are condensed.
The other show I think about having this problem is The 100. It's one of my favorite shows but it would have been much better if we got to bask in the world a little more.
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I’ve never heard of The 100, but now I’ll have to check it out! My reading and watchlist just keeps growing 🥹
It’s a bit sad that for the sake of “entertainment” or to make things “easier” for a new audience, writers end up butchering such beautifully crafted plots and characters. Mat, for example, another one who got completely “flanderized.” And don’t get me started on the Nynaeve–Lan relationship. In the show, he’s older like in the books, but somehow they made it really weird and awkward, especially with that whole odd tension with Moiraine! 🥲
Maybe the books handle it differently later on (I’m not that far yet), but so far it feels like Jordan gave these dynamics real depth and purpose. The show stripped that nuance away, making everything look rushed and weird. Still, I get what they tried to do, they just missed that careful rhythm that makes Jordan’s storytelling so special.
PS Moiraine, the actress I mean, is the voice behind the new audiobooks and I’ve heard she’s delightful! Have you listened to them?
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No, I haven’t listened to the audio books but she’s incredible
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I agree that the woke treatment given to many/most modern drama/series is a plague that needs to be recognised and hopefully one day ended. If it doesn't we are in serious trouble- in fact we already are!
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